Documenting Blues People and Black Folklore (w/ Lamont Jack Pearley)
My guest for this episode is Lamont Jack Pearley, Executive Director and founder of Jack Dappa Blues Heritage Preservation Foundation & the African American Folklorist Magazine. He is an applied folklorist, an African American music historian, a traditional country blues artist himself, and an inductee into the New York Blues Hall of Fame.
We discuss a host of topics, including the meaning of applied folklorist, the relationship between folklorists & archivists, and the reason he founded The African American Folklorist Magazine I also chat a great deal with Mr. Pearley about the blues: Why the genre is such a potent lens for Black culture, hip hop songs that function as blues songs, and how being a blues artist informs his scholarly work.
Lamont Jack Pearley's website: lamontjackpearley.com
Jack Dappa Blues Heritage Preservation Foundation: jackdappabluesradio.tv
The African American Folklorist Magazine: theafricanamericanfolklorist.com
Listen to full episode:
Episode Notes:
“Mississippi Boll Weevil Blues”--Charley Patton
“Can It Be All So Simple”-- Wu Tang Clan
“Parchman Farm Blues”-- Booker T Washington aka “Bukka” White
“Here Comes the Hotstepper”-- Ini Kamoze
“Rikers Island”--Coco Tea
“Rikers Island”--Kool G Rap
“The Root”--D’Angelo
“Got My Mojo Workin’”--Muddy Waters
“So Many Tears”-- 2Pac
“Briar Patch” – Devin The Dude
“Shake Ya Ass”--Mystikal
Cam James video on Hiraya Media Ltd’s digital blackface on The Hungry Historian / Potlikker